larimar stone jewelry wholesale Paper -cutting, also called carved paper, window flower or cutting. When creating, some use scissors, and some use carved knives. Although the tools are different, the art works created are basically the same, and people are collectively referred to as paper -cutting. Paper -cutting is a hollow art, which has a visually free feeling and artistic enjoyment. Its carrier can be paper, gold and silver foil, bark, leaves, cloth, leather, leather and other slices. The basic material of the creative composition method is flat paper, the basic unit is lines and blocks, and the basic language symbols are decorative dots, lines, and surfaces. In addition, due to the limitations of the materials, paper -cutting is not good at showing multi -layered and complex screen content content. The volume, depth, and ups and downs of the light and shadow effects and objects, so only the length and avoidance are avoided, and the composition composition is adopted on the composition. The object and scene will change from the three -dimensional space three -dimensional image to the two -dimensional space plane image. Summary with concise lines, so that the picture focuses on highlighting, black and white relationships, and reality, in order to enhance the expression of the work, and use the plane eyes to express the object of the world. In a specific shape of the visual plane. Folk paper -cutting uses an unfolding way of thinking, which is extremely free. Under the scissors of the creator, the paper -cutting has become a natural wave of no volume, no space, perseverance, regardless of proportion, and arbitrarily giving up with experience and spirituality, and boldly created. In order to express their own ideas, creators can break the restrictions of natural objective laws and space, and place objects of different space -time and different spaces on the same plane. This kind of space with static plane can express three -dimensional, four -dimensional, and even multi -dimensional space, and continuously depicts the world in your heart through dynamic thinking. Folk paper -cutting is to use paper to limit articles to make articles, freely galloping in limitations, and it is impossible to simplify the three -dimensional world into two -dimensional space. Infinite space, the infinite and complex shapes are placed on a plane, and the flat contour becomes the foundation of paper -cutting. Therefore, the unique expressiveness of folk paper -cutting is achieved on the basis of thorough two -dimensional space concept. Paper -cutting creators have exerted their true and pure artistic nature, breaking the restraint of the objective world, and showing the art objects in their hearts in a multi -angle, multi -directional, and multi -level expression. This composition thinking of folk paper -cutting is not limited by the practice of life and the content of the subject matter, and organizes a number of image creativity to make it coherent, contrast, and set off. The expression of this plane -based extraction has enhanced the subjectivity, space -time, three -dimensional, and comprehensiveness of paper -cutting, and its ultimate purpose is to pursue the integrity of the shape. The psychological psychology is all of these. In folk paper -cutting, the prospects and backgrounds of the cut objects cut on a plane appear on a plane. Seeing the later objects, thereby showing a strong decorative style. Due to the simple and comprehensive ideological feelings and aesthetic formulas, the creators also broke the obstacles of realization and used the unified method of the inside to express the objects. For paper -cutting, although the reality of the back, the top surface, the bottom surface, or the internal inside is invisible, it has an inner perception. What is invisible is reasonable, but it is unreasonable without cutting out. In addition, the structure and performance of folk paper -cutting are not the simulation or reproduction of a static visual image of a certain fixed viewpoint, but a dynamic dialectical dynamic that fully and rational. Chinese folk art does not pursue a sense of depth in perspective, but has the aesthetic identification of "seeing more and looking at it". Folk -cutting also reflects this aesthetic concept, reflecting the whole picture of things in the two -dimensional space. The composition of folk paper -cutting completely abandon the concept of painting the "focus" perspective, which not only breaks the restrictions of time, space, and proportion relationship, but also completely leaves the specific location of natural scenery. Unified picture. At the same time, folk paper -cutting also has a scattered composition method, which is to be independent of different materials, do not cross each other, and even each object has its own perspective point. In the plane. This is unreasonable in reality, but it is naturally reasonable in paper -cutting. Folk paper -cutting is not restrained by natural objects, and does not use the appearance simulation as satisfaction. All the objects are expressed on the plane. At the same time, in order to pursue the integrity and comprehensiveness of the styling, different scenes of different spaces and time are described, which fully reflects the creator's wonderful ingenuity and the aesthetic desire to seek. The styling means folk paper -cutting comes from life. The creators of paper -cutting show their special artistic forms of life, natural understanding, and perception of paper -cutting. Expressing it, not expression. At the same time, the restrictions of the paper -cutting process should not adopt a fully realistic method. Only the method of highlighting the outline of the object of the expression object can be adopted, and the characteristics of the expression are used to highlight the characteristics of the performance object. Therefore, exaggeration and deformation have become one of the most commonly used expressions in paper -cutting. Exaggerated deformation is the result of human creative labor and the crystallization of wisdom. Whether it is the colorful pottery decoration of the Yangshao culture, the graphic patterns of Yin Shang bronze, or the stone carvings of Qin and Han, they all show their eternal artistic charm with the beauty of art exaggeration. As a direct carrier of primitive art, paper -cutting has outstanding performance in exaggeration and deformation. The performance content of folk paper -cutting is mostly derived from real life, and most of them reflect the life and things around the working people, but it is not just a simple and intuitive simulation of the objects to be expressed in their works, but transcending the objective performance of reality, through exaggeration and exaggeration and The nature and form of deformation to change the object to change the common standard of natural original form. The creator of folk paper -cutting regards paper -cutting as part of life, the longing for a better life and the worship of ancient totems is the main content of folk paper -cut expression. And expressing these themes full of folk customs, beliefs, and philosophy can only imagine from subjectively, which makes the image of paper -cutting the image as much as possible, and depicting the inner object is inseparable from exaggerated artistic language. The exaggeration of folk paper -cutting shapes is a process of organizing and standardizing the complicated content, and it is not an objective description of nature. Therefore, the image in paper -cutting is more prominent and more eye -catching than the prototype. This is determined by a large historical and cultural background and living environment, and it is derived from a rich and rich life. At the same time, it is also the basis for folk paper -cutting shapes to be rough and refined, and deleting complexity. Unless the essence of essence, highlighting characteristics and character, complicated to simply art and re -creation, is exaggeration of folk paper -cutting. Exaggeration is to emphasize the characteristics of the object on the basis of omittinding. The most special part of the object is treated, narrowing, elongated, thickened, deformation, etc., making the image more characteristic and artistic charm. In many folk paper -cutting works, the face shape of the characters can almost only see the eyes. Because of the people's concepts, the eyes are most expressive, so the creator has exaggerated the human eyes. The exaggeration of paper -cutting of the people is also required to achieve the purpose of decorative beauty while reflecting the characteristics of objects, and in the effect of decorative beauty, the creator's spiritual pursuit of the ideal and desire of life. In order to make the prominent parts clearer, concentrated, and noticeable, some decorations are often added to objects to achieve perfect decorative purposes. The willingness to seek beauty has also become one of the exaggerated content. When expressing the characters, the clothes of the character are covered with flowers; when depicting animals, the fur on the animal exaggerates into a vortex, or the pattern is directly added to it, which makes Decoration. Jaw tooth -shaped and crescent shapes are commonly used decorative patterns for folk paper -cutting. The creative process of folk paper -cutting is through exaggerated methods through the "true" of real life, the process of evolution and deepening the "beauty" of art, and is the process of the creator's ideological feelings, aesthetic psychology and pursuit of beauty. In the long -term observation and understanding of life, and after a long -term practice, the creators know the rules of paper -cutting, and combine the free combination of balance, decentness, denseness, and irregular lines, forming a wonderful rhythm and rhythm, adding interest, and adding interests. Enrich the infectious power of the image. Tools show that paper -cutting is not made by machine but manually. There are two common methods: scissors and cutting. As the name implies, scissors are cut with the help of scissors. After cutting, a few (generally not more than 8 pieces) are pasted, and finally the pattern is processed with sharp scissors. The knife cut is to fold the paper into several stacks, put it on a soft mixture composed of gray and animal fat, and then slowly score with a knife. Paper -cut artists generally hold the knife vertically, processing paper into the desired pattern according to a certain model. Compared with scissors, one of the advantages of cutting is that it can be processed into multiple paper -cut patterns at a time. Paper -cutting method 1. The main line of the yang is mainly based on the line of the shape, the other parts are cut, and the line is connected. It must be kept and cut off outside the form. 2. The carving is mainly blocking the block, cut the line of the graph, breaks the line, and cuts the shape as negative. 3. The combination of yin and yang carved yang engraved with yin. Tool process traditional paper -cutting tools: 1. Scissors 2 · Pencil 3 · Xuanzhong 4 · wax plate 5 · Carvings 6 · needle and wire 7 · Dyes or ink and brushes 8 · Coal Lights 9 · Iron Traditional Operation Process 1. Printing and dyeing paper -traditional Chinese paper -cut artists will use brushes to dye paper into traditional Chinese red. 2. Spreading — Wiring after drying the rice paper after the dyeing paper is dry. Tiring the wrinkled paper with a warm iron. 3. Making template -the image of the butterfly below is very simple, using a pencil to outline the outline of the butterfly. 4. Smoked template — Take a piece of paper prepared by dyeing, wet it, and press the template underneath. Make the template towards kerosene lamps. The templates and places without the template are blackened by the cigarettes of kerosene lamps. When the paper is completely dry, remove the template, and then leave the smoke where the kerosene lamp has been smoked and the gap covered by the not smoked. This is the model of paper -cutting. 5. String — Place the paper -cut model on a small pyramid -dyed paper, which can be about 20 sheets, and then seal them together. 6. Paper -cut — Chinese paper -cut artists usually choose the long -handed short -handed sharp scissors. The one with a visible graphic is cut, so that other paper can be cut at the same time. The first is the pattern inside, and the other is the edge of the outside. Among the many varieties of Chinese varieties, Weixian paper -cutting is unique. It is based on the shade carving and the color cut -the -color paper -cutting, which can be divided into the following six processes. First, painting: The designer draws the pattern according to his own thinking or customer's requirements, which is commonly referred to as the painting. Second, ordering: Orbin the painting on the rice paper (generally fifty pieces of rice paper at a time) and divide it into small pieces with the size of the sliced. Third, immersion: Immerse the orderly cargo and goods into the water and so as to soak out, and then squeeze the water it contained in it and dry it in the sun. Fourth, engraving: The dipping goods and sales are engraved on the wax board and carved according to the requirements of the pattern. Fifth, dye: color the carved products. The raw materials are color and sprinkler; the tool is a brush and net newspapers. Six: Package: The products produced by the above five processes are packed in paper plastic or books, frames, golden platinum and other forms.
cheap jewelry wholesale china China is the hometown of paper -cut art. Judging from many related information, its birthplace is in the Central Plains. Fuyang has a long history, simple folk customs, and a strong cultural atmosphere. As early as during the Northern and Southern Dynasties, paper -cutting art has appeared, and it has a good reputation with traditional diverse themes, plump and rigorous composition, and rich rustic atmosphere. The development history of paper -cutting The development of paper -cutting Painting Paper -cutting is an ancient Chinese traditional folk art. It has a long history and unique style, and is loved by people at home and abroad. The main material of paper -cutting is paper. Paper is one of the four major inventions of China. In the past, it was recognized that papermaking was invented by Cai Lun around 105 AD. Later, the paper from Fufeng County, Shaanxi Province was unearthed in the Western Han Dynasty. Experts believed that the time when the paper appeared in my country to the Emperor Hanping in advance, it may be during the Emperor Xuan (73 BC). No matter how the conclusion is finalized, there will be no real paper cutting before the paper invention. But use other thin slices to cut the cutting flower, but before there is paper. Let's check the records of cultural relics and historical materials: The Warring States Period (476 BC 221 BC) ① In the excavation of the Warring States Period of Guwei Village, Huiwei County, Henan Province in 19501 Arc -shaped decorations. ② The Jin Dynasty golden decoration unearthed from Huangnihuang, Changsha, Hunan. Although these silver foil hollowed out, although it cannot be said to be paper -cut, it can be said that the predecessor of paper -cut art has been formed in the engraving technology and artistic style. Thenian (386 AD 534) was cut into beautiful pattern patterns with paper. At present, it is founded and found that it can be found near the Turpan Flame Mountain in Xinjiang. This of the Malaysian flowers from the Northern and Southern Dynasties. The northern and south dynasties are used to the monkey group flowers. The chrysanthemums of the north and south dynasties. The eight -shaped flowers of the north and south. The Tang Dynasty (618 AD 907) Tang Dynasty has applied paper -cut patterns to other techniques: ① In 1963, 1965 "Personal Winning" from Turpan, Xinjiang, Xinjiang. ② The leather hat unearthed in Xi'an in 1973 was hollowed out. ③ From the Han to the Tang Dynasty, a gold and silver inlaid technology has now been adhered to the carved gold and silver foil on the back of the lacquerware or bronze mirror. After the paint is filled and dried, the golden light pattern showed the brilliant pattern on the paint. The Tang Dynasty Gold and Silver Ping Mirror (36.2cm in diameter) unearthed from Zhengzhou, Henan Province ④ is now hidden in the "victorious" gold foil in the Tang Dynasty in the Kangcang Institute in Japan. ⑤ In 1951, the Han Dynasty gold foil engraved flowers unearthed from Changsha, Hunan Province. The Song Dynasty (960-1279 AD) Song Dynasty had a lot of records about paper -cutting. Some use paper -cutting as a gift, some are posted on the window, some decorate lights, and some are cut into so -called "dragon tiger" and the like. During the Southern Song Dynasty, artists who have been professional have appeared. It is also made of thick paper. The Song Dynasty paper -cutting is an important creation for craft decoration. It is the porcelain of Jizhou kiln. The products include tea cups and vases. There are many patterns, including phoenix, plum blossoms, loquats and auspicious texts. The shape is vivid in shape. Live, it is made of paper -cutting and firing in the kiln during the glazing process. Modern folk blue printing cloth is scraped and dyed with a carved cardboard. It is very common that the printed fabric of the Southern Song Dynasty unearthed from Shanxi Province is an example. The gauze lamps in the Ming Dynasty (1368-1644 AD) were very famous. It is another application of paper -cutting in daily life. Now people call it "walking horselights". The Qing Dynasty (AD 1644-1911) passed down from the paper -cutting. Between the walls of the aisle on both sides, white paper sets off the black dragon and phoenix double -happy paper -cut pattern. The record of paper -cutting in related historical books: in the poems left by Cui Daorong in the Tang Dynasty, there are such words: "To cut cut The "Yichun Post" mentioned here is the "Yichun Post" mentioned here, which is the "paper -cutting art work" that people are familiar with the Tang Dynasty poet Li Shangyin "People" poems: " "I also wrote this. Duan Cheng -style" Puyang Miscellaneous "said:" Liching, a doctor's house, paper -cutting is small, or hangs from the beauty of the beauty, or under the flower, and cut it into the spring butterfly, spring victory, spring victory To play it. The "Zhitang Poetry Miscellaneous Banknote" written by Zhou Mi of the Southern Song Dynasty wrote: "The old capital, there are those who cut the colors, and are extremely delicate. And the Central Plains, the other in the Central Plains. . After that, there are teenagers who can cut words and flowers in the sleeves. They are extremely precious. "That is," Kaifeng "," cutting flowers "refers to" paper -cutting ".
larimar stone jewelry wholesale Paper -cutting, also called carved paper, window flower or cutting. When creating, some use scissors, and some use carved knives. Although the tools are different, the art works created are basically the same, and people are collectively referred to as paper -cutting. Paper -cutting is a hollow art, which has a visually free feeling and artistic enjoyment. Its carrier can be paper, gold and silver foil, bark, leaves, cloth, leather, leather and other slices. The basic material of the creative composition method is flat paper, the basic unit is lines and blocks, and the basic language symbols are decorative dots, lines, and surfaces. In addition, due to the limitations of the materials, paper -cutting is not good at showing multi -layered and complex screen content content. The volume, depth, and ups and downs of the light and shadow effects and objects, so only the length and avoidance are avoided, and the composition composition is adopted on the composition. The object and scene will change from the three -dimensional space three -dimensional image to the two -dimensional space plane image. Summary with concise lines, so that the picture focuses on highlighting, black and white relationships, and reality, in order to enhance the expression of the work, and use the plane eyes to express the object of the world. In a specific shape of the visual plane. Folk paper -cutting uses an unfolding way of thinking, which is extremely free. Under the scissors of the creator, the paper -cutting has become a natural wave of no volume, no space, perseverance, regardless of proportion, and arbitrarily giving up with experience and spirituality, and boldly created. In order to express their own ideas, creators can break the restrictions of natural objective laws and space, and place objects of different space -time and different spaces on the same plane. This kind of space with static plane can express three -dimensional, four -dimensional, and even multi -dimensional space, and continuously depicts the world in your heart through dynamic thinking. Folk paper -cutting is to use paper to limit articles to make articles, freely galloping in limitations, and it is impossible to simplify the three -dimensional world into two -dimensional space. Infinite space, the infinite and complex shapes are placed on a plane, and the flat contour becomes the foundation of paper -cutting. Therefore, the unique expressiveness of folk paper -cutting is achieved on the basis of thorough two -dimensional space concept. Paper -cutting creators have exerted their true and pure artistic nature, breaking the restraint of the objective world, and showing the art objects in their hearts in a multi -angle, multi -directional, and multi -level expression. This composition thinking of folk paper -cutting is not limited by the practice of life and the content of the subject matter, and organizes a number of image creativity to make it coherent, contrast, and set off. The expression of this plane -based extraction has enhanced the subjectivity, space -time, three -dimensional, and comprehensiveness of paper -cutting, and its ultimate purpose is to pursue the integrity of the shape. The psychological psychology is all of these. In folk paper -cutting, the prospects and backgrounds of the cut objects cut on a plane appear on a plane. Seeing the later objects, thereby showing a strong decorative style. Due to the simple and comprehensive ideological feelings and aesthetic formulas, the creators also broke the obstacles of realization and used the unified method of the inside to express the objects. For paper -cutting, although the reality of the back, the top surface, the bottom surface, or the internal inside is invisible, it has an inner perception. What is invisible is reasonable, but it is unreasonable without cutting out. In addition, the structure and performance of folk paper -cutting are not the simulation or reproduction of a static visual image of a certain fixed viewpoint, but a dynamic dialectical dynamic that fully and rational. Chinese folk art does not pursue a sense of depth in perspective, but has the aesthetic identification of "seeing more and looking at it". Folk -cutting also reflects this aesthetic concept, reflecting the whole picture of things in the two -dimensional space. The composition of folk paper -cutting completely abandon the concept of painting the "focus" perspective, which not only breaks the restrictions of time, space, and proportion relationship, but also completely leaves the specific location of natural scenery. Unified picture. At the same time, folk paper -cutting also has a scattered composition method, which is to be independent of different materials, do not cross each other, and even each object has its own perspective point. In the plane. This is unreasonable in reality, but it is naturally reasonable in paper -cutting. Folk paper -cutting is not restrained by natural objects, and does not use the appearance simulation as satisfaction. All the objects are expressed on the plane. At the same time, in order to pursue the integrity and comprehensiveness of the styling, different scenes of different spaces and time are described, which fully reflects the creator's wonderful ingenuity and the aesthetic desire to seek. The styling means folk paper -cutting comes from life. The creators of paper -cutting show their special artistic forms of life, natural understanding, and perception of paper -cutting. Expressing it, not expression. At the same time, the restrictions of the paper -cutting process should not adopt a fully realistic method. Only the method of highlighting the outline of the object of the expression object can be adopted, and the characteristics of the expression are used to highlight the characteristics of the performance object. Therefore, exaggeration and deformation have become one of the most commonly used expressions in paper -cutting. Exaggerated deformation is the result of human creative labor and the crystallization of wisdom. Whether it is the colorful pottery decoration of the Yangshao culture, the graphic patterns of Yin Shang bronze, or the stone carvings of Qin and Han, they all show their eternal artistic charm with the beauty of art exaggeration. As a direct carrier of primitive art, paper -cutting has outstanding performance in exaggeration and deformation. The performance content of folk paper -cutting is mostly derived from real life, and most of them reflect the life and things around the working people, but it is not just a simple and intuitive simulation of the objects to be expressed in their works, but transcending the objective performance of reality, through exaggeration and exaggeration and The nature and form of deformation to change the object to change the common standard of natural original form. The creator of folk paper -cutting regards paper -cutting as part of life, the longing for a better life and the worship of ancient totems is the main content of folk paper -cut expression. And expressing these themes full of folk customs, beliefs, and philosophy can only imagine from subjectively, which makes the image of paper -cutting the image as much as possible, and depicting the inner object is inseparable from exaggerated artistic language. The exaggeration of folk paper -cutting shapes is a process of organizing and standardizing the complicated content, and it is not an objective description of nature. Therefore, the image in paper -cutting is more prominent and more eye -catching than the prototype. This is determined by a large historical and cultural background and living environment, and it is derived from a rich and rich life. At the same time, it is also the basis for folk paper -cutting shapes to be rough and refined, and deleting complexity. Unless the essence of essence, highlighting characteristics and character, complicated to simply art and re -creation, is exaggeration of folk paper -cutting. Exaggeration is to emphasize the characteristics of the object on the basis of omittinding. The most special part of the object is treated, narrowing, elongated, thickened, deformation, etc., making the image more characteristic and artistic charm. In many folk paper -cutting works, the face shape of the characters can almost only see the eyes. Because of the people's concepts, the eyes are most expressive, so the creator has exaggerated the human eyes. The exaggeration of paper -cutting of the people is also required to achieve the purpose of decorative beauty while reflecting the characteristics of objects, and in the effect of decorative beauty, the creator's spiritual pursuit of the ideal and desire of life. In order to make the prominent parts clearer, concentrated, and noticeable, some decorations are often added to objects to achieve perfect decorative purposes. The willingness to seek beauty has also become one of the exaggerated content. When expressing the characters, the clothes of the character are covered with flowers; when depicting animals, the fur on the animal exaggerates into a vortex, or the pattern is directly added to it, which makes Decoration. Jaw tooth -shaped and crescent shapes are commonly used decorative patterns for folk paper -cutting. The creative process of folk paper -cutting is through exaggerated methods through the "true" of real life, the process of evolution and deepening the "beauty" of art, and is the process of the creator's ideological feelings, aesthetic psychology and pursuit of beauty. In the long -term observation and understanding of life, and after a long -term practice, the creators know the rules of paper -cutting, and combine the free combination of balance, decentness, denseness, and irregular lines, forming a wonderful rhythm and rhythm, adding interest, and adding interests. Enrich the infectious power of the image. Tools show that paper -cutting is not made by machine but manually. There are two common methods: scissors and cutting. As the name implies, scissors are cut with the help of scissors. After cutting, a few (generally not more than 8 pieces) are pasted, and finally the pattern is processed with sharp scissors. The knife cut is to fold the paper into several stacks, put it on a soft mixture composed of gray and animal fat, and then slowly score with a knife. Paper -cut artists generally hold the knife vertically, processing paper into the desired pattern according to a certain model. Compared with scissors, one of the advantages of cutting is that it can be processed into multiple paper -cut patterns at a time. Paper -cutting method 1. The main line of the yang is mainly based on the line of the shape, the other parts are cut, and the line is connected. It must be kept and cut off outside the form. 2. The carving is mainly blocking the block, cut the line of the graph, breaks the line, and cuts the shape as negative. 3. The combination of yin and yang carved yang engraved with yin. Tool process traditional paper -cutting tools: 1. Scissors 2 · Pencil 3 · Xuanzhong 4 · wax plate 5 · Carvings 6 · needle and wire 7 · Dyes or ink and brushes 8 · Coal Lights 9 · Iron Traditional Operation Process 1. Printing and dyeing paper -traditional Chinese paper -cut artists will use brushes to dye paper into traditional Chinese red. 2. Spreading — Wiring after drying the rice paper after the dyeing paper is dry. Tiring the wrinkled paper with a warm iron. 3. Making template -the image of the butterfly below is very simple, using a pencil to outline the outline of the butterfly. 4. Smoked template — Take a piece of paper prepared by dyeing, wet it, and press the template underneath. Make the template towards kerosene lamps. The templates and places without the template are blackened by the cigarettes of kerosene lamps. When the paper is completely dry, remove the template, and then leave the smoke where the kerosene lamp has been smoked and the gap covered by the not smoked. This is the model of paper -cutting. 5. String — Place the paper -cut model on a small pyramid -dyed paper, which can be about 20 sheets, and then seal them together. 6. Paper -cut — Chinese paper -cut artists usually choose the long -handed short -handed sharp scissors. The one with a visible graphic is cut, so that other paper can be cut at the same time. The first is the pattern inside, and the other is the edge of the outside. Among the many varieties of Chinese varieties, Weixian paper -cutting is unique. It is based on the shade carving and the color cut -the -color paper -cutting, which can be divided into the following six processes. First, painting: The designer draws the pattern according to his own thinking or customer's requirements, which is commonly referred to as the painting. Second, ordering: Orbin the painting on the rice paper (generally fifty pieces of rice paper at a time) and divide it into small pieces with the size of the sliced. Third, immersion: Immerse the orderly cargo and goods into the water and so as to soak out, and then squeeze the water it contained in it and dry it in the sun. Fourth, engraving: The dipping goods and sales are engraved on the wax board and carved according to the requirements of the pattern. Fifth, dye: color the carved products. The raw materials are color and sprinkler; the tool is a brush and net newspapers. Six: Package: The products produced by the above five processes are packed in paper plastic or books, frames, golden platinum and other forms.
cheap jewelry wholesale china China is the hometown of paper -cut art. Judging from many related information, its birthplace is in the Central Plains. Fuyang has a long history, simple folk customs, and a strong cultural atmosphere. As early as during the Northern and Southern Dynasties, paper -cutting art has appeared, and it has a good reputation with traditional diverse themes, plump and rigorous composition, and rich rustic atmosphere.
The development history of paper -cutting
The development of paper -cutting Painting Paper -cutting is an ancient Chinese traditional folk art. It has a long history and unique style, and is loved by people at home and abroad. The main material of paper -cutting is paper. Paper is one of the four major inventions of China. In the past, it was recognized that papermaking was invented by Cai Lun around 105 AD. Later, the paper from Fufeng County, Shaanxi Province was unearthed in the Western Han Dynasty. Experts believed that the time when the paper appeared in my country to the Emperor Hanping in advance, it may be during the Emperor Xuan (73 BC). No matter how the conclusion is finalized, there will be no real paper cutting before the paper invention. But use other thin slices to cut the cutting flower, but before there is paper. Let's check the records of cultural relics and historical materials:
The Warring States Period (476 BC 221 BC) ① In the excavation of the Warring States Period of Guwei Village, Huiwei County, Henan Province in 19501 Arc -shaped decorations. ② The Jin Dynasty golden decoration unearthed from Huangnihuang, Changsha, Hunan. Although these silver foil hollowed out, although it cannot be said to be paper -cut, it can be said that the predecessor of paper -cut art has been formed in the engraving technology and artistic style.
Thenian (386 AD 534) was cut into beautiful pattern patterns with paper. At present, it is founded and found that it can be found near the Turpan Flame Mountain in Xinjiang.
This of the Malaysian flowers from the Northern and Southern Dynasties. The northern and south dynasties are used to the monkey group flowers. The chrysanthemums of the north and south dynasties. The eight -shaped flowers of the north and south.
The Tang Dynasty (618 AD 907) Tang Dynasty has applied paper -cut patterns to other techniques: ① In 1963, 1965 "Personal Winning" from Turpan, Xinjiang, Xinjiang. ② The leather hat unearthed in Xi'an in 1973 was hollowed out. ③ From the Han to the Tang Dynasty, a gold and silver inlaid technology has now been adhered to the carved gold and silver foil on the back of the lacquerware or bronze mirror. After the paint is filled and dried, the golden light pattern showed the brilliant pattern on the paint. The Tang Dynasty Gold and Silver Ping Mirror (36.2cm in diameter) unearthed from Zhengzhou, Henan Province ④ is now hidden in the "victorious" gold foil in the Tang Dynasty in the Kangcang Institute in Japan. ⑤ In 1951, the Han Dynasty gold foil engraved flowers unearthed from Changsha, Hunan Province.
The Song Dynasty (960-1279 AD) Song Dynasty had a lot of records about paper -cutting. Some use paper -cutting as a gift, some are posted on the window, some decorate lights, and some are cut into so -called "dragon tiger" and the like. During the Southern Song Dynasty, artists who have been professional have appeared. It is also made of thick paper. The Song Dynasty paper -cutting is an important creation for craft decoration. It is the porcelain of Jizhou kiln. The products include tea cups and vases. There are many patterns, including phoenix, plum blossoms, loquats and auspicious texts. The shape is vivid in shape. Live, it is made of paper -cutting and firing in the kiln during the glazing process. Modern folk blue printing cloth is scraped and dyed with a carved cardboard. It is very common that the printed fabric of the Southern Song Dynasty unearthed from Shanxi Province is an example.
The gauze lamps in the Ming Dynasty (1368-1644 AD) were very famous. It is another application of paper -cutting in daily life. Now people call it "walking horselights".
The Qing Dynasty (AD 1644-1911) passed down from the paper -cutting. Between the walls of the aisle on both sides, white paper sets off the black dragon and phoenix double -happy paper -cut pattern.
The record of paper -cutting in related historical books:
in the poems left by Cui Daorong in the Tang Dynasty, there are such words: "To cut cut The "Yichun Post" mentioned here is the "Yichun Post" mentioned here, which is the "paper -cutting art work" that people are familiar with the Tang Dynasty poet Li Shangyin "People" poems: " "I also wrote this. Duan Cheng -style" Puyang Miscellaneous "said:" Liching, a doctor's house, paper -cutting is small, or hangs from the beauty of the beauty, or under the flower, and cut it into the spring butterfly, spring victory, spring victory To play it.
The "Zhitang Poetry Miscellaneous Banknote" written by Zhou Mi of the Southern Song Dynasty wrote: "The old capital, there are those who cut the colors, and are extremely delicate. And the Central Plains, the other in the Central Plains. . After that, there are teenagers who can cut words and flowers in the sleeves. They are extremely precious. "That is," Kaifeng "," cutting flowers "refers to" paper -cutting ".
wholesale fashion jewelry and clothing The primary red paper engraved knife uses the scalpel to use the red rice paper wax plate to engraved the knife
mechelle's wholesale jewelry Part
charlotte wholesale jewelry ahow I do not know either! So I can only think of it by yourself